![]() It is unfortunate that she is choosing this route as it undermines the important movement to make women feel safe coming forward about legitimate claims against real known predators. Sadly she is now using the current climate to bandwagon and launch these false accusations again. She began again to circulate rumors online once our relationship became public. We stand together in stating this is nothing more than an unfortunate resurgence of her lies designed to wreak havoc on two happily married people in the public eye. We are confident that a full consideration of accounts from and since that time will shed light and clarity on the true nature of not only this person’s character, and also on the real facts of the matter. She was asked to leave our university comedy group because of worrisome and disturbing behavior, which angered her immensely, she then became fixated on our relationship, and began telling people around campus “I’m going to destroy them” & “I’m going to ruin him.” She attempted to discredit both of our voices and use us against one another by trying to portray Kate to be a continuous abuse victim of T.J. We met this woman over a decade ago while studying together in college, she attempted to break us up back then by plotting for over a year before making contradictory claims and accusations. Absolutely essential viewing.Miller has since co-authored a statement with his wife, Kate, denying the accusations, saying they are both familiar with the person making the allegations. ![]() We don’t want to spoil things by going into detail about the plot, but suffice to say that it’s about as far from a straightforward linear journey as you could ever imagine. Set 25 years after the events of the groundbreaking first two series, The Return revisits many of the characters from the originals, and there’s enormous amounts of fun and interest to be gained merely in seeing how they’ve aged and how their lives have worked out. Indeed, The Return is a kind of meta-Lynch show, distilling themes, elements, tropes and filmmaking techniques he’s employed elsewhere into one bewilderingly incredible experience. ![]() Now we’re firmly in the former camp here at Stuff, but if you a) didn’t like the original two series or b) generally don’t like David Lynch’s creative ouput then this is emphatically not going to change your mind. One is that it is without question the most utterly brilliant TV show of the year, the other that it’s a massive pile of pretentious poo-poo. There are two ways to look at the new series of Twin Peaks. But while the Targaryen’s hulking pets make their empire all but unassailable from the outside, a looming succession crisis threatens to tear their dynasty apart from within – and bring ruin and bloody civil war to the realm in the process. Set almost 200 years before the events depicted in Game of Thrones, House of the Dragon focusses on the Targaryen family, the dragon-riding dynastic rulers of Westeros who used fire, blood and fear to first unite and then control the Seven Kingdoms. Martin himself, the writing shouldn’t veer off the rails into Michael Bay territory this time around. The cast is fantastic, the production values are immense, and because the whole thing is based on a history of the Targaryen family already fully fleshed out by George R.R. A new sword and sorcery epic about the warring families of Westeros is here, and it feels like a true return to form. ![]() The second season, which stars Colin Farrell, Rachel McAdams and Vince Vaughn, isn’t particularly well regarded, but the third (with Mahershala Ali) is excellent, and we hold out high hopes for the upcoming fourth, set to star Jodie Foster.īanish that dreadful final season (fair enough: those dreadful last three seasons) of Game of Thrones from your mind. There are then two further seasons of the show to enjoy, with each being its own separate story with an entirely new cast. Don’t be surprised if that’s what drives you to devour its eight episodes in short order. While the plot is undeniably gripping, the cinematography masterful and the Southern Gothic atmosphere creepily evocative, it’s the characters – McConaughey’s nihilistic philosophiser and Harrelson’s booze-addled womaniser – and their fraught relationship that provide True Detective’s primary pull. It’s testament to the growing standing of modern television that it can attract movie stars such as Matthew McConaughey and Woody Harrelson, who light up the small screen here as a mismatched pair of Louisiana cops tasked with solving a ritualistic murder. ![]()
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